ANNEMARIE MIT AMEISEN | 2018

Digital Remix

DIGITAL WORK:
DGTL RMXS VS. ORIGINALS

by Barbara Egin

It’s a funny and creative, but nevertheless challenging process to alter paintings in a virtual manner giving them a new identity. Concerning me, I like particularly the artistic licence behind this process. You are the one directing the way going on. It may be a very fast or a more complicated act, which demands deep technical knowledge as well as superior imagination.

Why I do this? Where else I could find a similar reality not beeing real? Doesn’t it means that, while painting, I am already working on a virtual level? Is the unique copy (Originalgemälde) reality or not? Anyway, the final result of artificial fantasy ends in dreaming between the worlds.

RUE MOUFFETARD

2018

Kindheit

2017

California

2008, 80 x 80 cm, Acryl auf Hartfaser

AGATHA

2018

AGATHA II

2018

AM BAHNHOF

2018

HOMMAGE À XENIA

2018

FLEX SCHOTTENRING 1

2018

OVERDOSE UND TRAKTOR

2018

REAUMUR SEBASTOPOL

2018

MEREDITH

2018

FRANZISKA LINKERHAND

2018

ELFRIEDE

2018

FLUCHTGEFAHR MIT RENTIEREN

2018

PETIT BATEAU

2018

SHOOTING BEI ELSE

2018

YELLOW SUBMARINE

2018

OVERDOSE

2018

DER PRINZ AN IHRER SEITE

2018

KASPAR UND ROSALIE

2018

NIKA UND ZYNA

2019

MADEMOISELLE ANITA

2019

FENDI SCHRIFT WEISS DECKKRAFT

2018

BOUDOIR

2018

DETTL, LA BRASSE BANDA

2018

AM TAG NACH MUTTERS GEBURTSTAG

2018

LEBEN UND TOD AM BAHNHOF II

2018

NIRWANA

2018

EIA POPEIA

2018

EIA POPEIA_5

2018

ARMES SCHWEIN

2018